Action Film: Aremu Afolayan’s The Score

Script: Aremu Afolayan

Director: Aremu Afolayan

Cast:  Saheed Balogun, Eniola Olaniyan, Olumide Bakare, Sunkanmi Omobolanle, Aremu Afolayan.

Reviewer: Ayodele Olofintuade

The Score is an action film.

The movie is about drug cartels and focuses on the story of two drug lords Mustapha (Aremu Folayan) and Kamoru(Saheed Balogun) and their long running battle for supremacy.

Mustapha is an American(?) returnee who runs a drug cartel but is always stepping on the toes of a rival drug lord, Kamoru. Part of Kamoru’s cartel were two brothers. One of them made a deal with the police to become an undercover agent in order to shorten his prison sentence, he exposed Mustapha’s deals to the police which led to the death of some members of Mustapha’s gang. His younger brother confronted him about being a snitch and it led to a break in their relationship.

Although it is an action movie the story of an actor who seems not to be able to keep his hands off women was also woven into the movie.

The Cinematography was really good, there were many shots that went a long way in making the story bearable. There was no blurring that distracted the eyes.

The screenwriter must be commended because the story was well tied together, leaving no dangling threads. However I cannot say the same of the director, there were too many loopholes.

There was too much shouting, too many people pointing guns at one another unnecessarily and awful sex scenes. Watching some of the actors kissing was a painful process, they left you wondering if it will be wise to kiss anybody because you’ll be afraid that the person might just suck your face off. The close shots of the ‘kissees’ did not help matters in the least.

Saheed Balogun was terrific in his role as the rival drug lord, making such a smooth transition whenever he switched languages that you wish he will just keep on talking and everybody else should simply disappear. One moment he is speaking impeccable English the next he is speaking beautiful criminal Yoruba.

Veteran actor, Olumide Bakare also performed very well in his role as a ‘Sinator’ of the federal republic. He delivered his part flawlessly in spite of the fact that he did not appear in too many scenes.

In a bid to sound Italian (or is it American ?) Aremu Afolayan ended up sounding like a Yoruba man forced to speak like a Hausa man. He totally mangled every scene he appeared in. I flinched each time he appeared in a scene.

It was not only him most of the actors behaved like they were in a badly produced gangster Hollywood film. Which actually it was except it was a Nollywood production. There were too many shots of too many people swaggering aimlessly up and down a street.

All the characters were flat. No reason was given for why they are where they are presently in their lives. In this day of well rounded characters, it was a total disappointment.

One other thing that bothered me about the movie is the way major characters disappear in the course of the movie. The first person to go was Sunkanmi Omobolanle, who played the part of Sean, Mustapha’s brother. After about three scenes the guy silently disappeared and you start wondering what happened to him. Not long afterwards the undercover policeman (played by Eniola Olaniyan) disappeared without any explanations.

In the true Nollywoodian spirit about three major characters appeared towards the end of the movie and you’re not sure exactly what the point of bringing them in was because they spoke a couple of lines and the film ended. I guess it’s a new ‘major movie star waka pass’ thing.

I must be frank that this film has a lot of potentials but did not fulfil any single one. With so many good actors that featured in the movie, a little tweaking here and there would have made it a blockbuster.

Now to the things I learnt from this movie

  • It is not everybody that can act
  • I am not allowed to groan out loud too many times while in a cinema except I want to be thrown out


About akinbowale

Africa's most influential literary blogger

Posted on April 30, 2012, in Film Review. Bookmark the permalink. Leave a comment.

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